Tag Archives: writing advice

Fantasy, by the Planets- My Faults are in the Stars

A post first issued in 2013, now brought to my own site for the first time.

With a tip of the broad-brimmed hat to Ciara Ballintyne, whose wonderful post on the subject kicked my dusty brain into gear, I fell to thinking how to classify the various works of fantasy that I love so well. I’ve come to realize from posts at various sites, that my views are quite simplistic- also showing their age, frankly- but perhaps for beginners I can offer the following easy taxonomy. If it helps you to write, then it’s good.

  • I’m following a rule of three, split by Stakes and Mood, for a total of nine sub-Genres. Yeah I know- too tidy, old-fashioned, unconvincing. Sue me. I have simple tastes, and believe that many things folks call genres are better described as flavors.
  • Among those things you won’t see reflected here by name are Urban, High/Low, Historical, Dark and most likely others you’ve come to like. My, I’m being grumpy today. It’s just that I prefer a few categories, and then one can speak of works that split-the-distance, or bend the genre. That strikes me as the greater compliment than to give every great work that comes along a category of its own.
  • My model is a solar system- in fact, ours. The planets represent centers of gravity that define something qualitatively different about the writing, and of course the reading experience. But plenty of room between the heavenly bodies, and most of what we read doesn’t nestle down precisely in one atmosphere or another. Most planets have moons, and there are uncounted millions of asteroids: I know what you’re thinking, the literary genius goes on and on.
  • And here’s another point, before I lay the figure on you. It’s a solar system, which means there’s room outside it as well. Maybe you’ll find the stuff you really like is off beyond Pluto somewhere, and that’s cool. I know that some of my works to date have spicing from other genres such as Horror, Mystery, and Romance: if Fantasy writing was a country trading with its neighbors, I would say imports outweighed exports by about 10 to 1. Might be cool to consider that in a future post.

A Question of Stakes and Mood

So I’ll give the graphic representation here, which I hope is pretty self-explanatory (thousand words and all that). I hope you enjoy it, and then if you like scan as many of my notes as you want. I’m a heroic and epic fantasy chronicler, so believe me, this IS the short version! But stop whenever it’s not helping you anymore. I’m very happy as always to hear your thoughts too. You should be able to click on the picture to make it bigger.

One chronicler's suggestion
One chronicler’s view

I’ve suggested three major genres of fantasy- Epic, Heroic and Sword and Sorcery (down the middle)  with variations of Mood (across the top) from Cinematic to Morbid, and a second spectrum of Stakes (along the side) from Casual to Crucial. At each “planet” I installed a title that pretty closely fits the location: most of my selections reveal my age but I think they will still be familiar to many. One word of warning; these planets are not arranged in the same order as you might expect by the presence of the “sun” in the picture. More explanations than you could ever want follow here!

The Stakes of a Tale

EPIC Fantasy is defined by Crucial Stakes; the main character is called upon to Save the World. Combat is rare, humor limited and every act reeks of consequences. Things happen for a reason, it all ties together.

HEROIC Fantasy involves some kind of quest within more limited boundaries, to Save the Kingdom. Heroes fight more often, there can be humorous moments and even mistakes before the (usually happy) ending.

SWORD & SORCERY sometimes identified with “Low” fantasy, has the smallest, most Casual stakes; for the protagonist, the job  is literally Save Your Skin. Fighting and action ranges from frequent to non-stop, and nearly any vice you can imagine is on the table (sometimes taking its clothes off) while mistakes are common (and mean less). By the end, there has often been little or nothing accomplished. Except you’ve enjoyed a great story.

Getting Into the Mood

But these tales are also qualified by a tone or Mood which puts them in definable categories. The CINEMATIC (or Light) mood generally carries more humor, a higher level of action and suspense, and often brings more misadventures whose purpose either distracts or relieves tension derived from the main plot. Not surprisingly, fantasies with a Cinematic Mood make good movies. The Stakes are the same (a Cinematic Epic Fantasy is still a quest to save the world), but you can laugh along the way, there’s more of a campy flavor. There’s also less doubt that the world/kingdom/skin will, in fact, be saved. You don’t spend sleepless nights wondering how it will turn out. On the opposite side of the spectrum, fantasy tales of all three genres can be Morbid (or perhaps Dark), bearing not just on death but on a much grimmer prospect regarding the Stakes. You can certainly doubt whether “it” will be saved, or you might be uncertain if you want the main character to succeed. Many works hailed as deconstructions of fantasy, in another view, are Morbid.

THE BOOK TITLES: In case you were interested, some notes on the choices I made. I spotted my own works with initials in purple (TMM- Three Minutes to Midnight, and so forth). I think I have them in the right orbits, but let me know!

Epic: Lord of the Rings is the obvious call, hard to see how any work could displace it. I also include SRD’s Thomas Covenant series as a later, but still seminal example of the Stakes involved. Ironic point- Middle Earth is lost unless Frodo refuses to use the Ring, and The Land is done for unless Covenant decides to use it!

Cinematic Epic: I chose the 1980 version of Flash Gordon for two reasons. First, even though it’s about as silly and campy as anything ever put on film, the Stakes are unmistakably Crucial: Ming is moments away from destroying Earth and ruling the entire galaxy. It’s technically science-fiction, but the lasers and mind-probes are pretty soft-pedaled especially in this movie: the best moments like the stump-of-death and the tilting-floor duel are pure fantasy. Secondly, it’s a shout-out to anyone who was at Camp Dudley YMCA in 1983, when five hundred boys trooped to the movie-hall after four days of torrential rains, expecting to see another boring baseball series recap film. Instead, the pulsing drums of Queen preceded Max von Sydow sneering “Foolish Earthlings, who can save you now?” The cheering echoes up in the Adirondacks to this day.

Morbid Epic: I think Stephen King’s Dark Tower series stands well here, because of the grim tone, the gruesome moral choices made and the severe prices paid. I’m not sure who I want to win, nor whether anyone will. And the Stakes once again are the entire world (no matter how small). Should I have yelled “Spoiler Alert” a few paragraphs ago?

Heroic: I personally put Ursula LeGuin’s series on a pedestal just as high as Tolkein’s or anyone else’s, and the first book I think is a splendid example of individual heroic activity for big (but not yet universal) Stakes. There are two kinds of readers on earth- those who need to read Earthsea and those who need to read it again.

Cinematic Heroic: The book is better, yet the movie of The Princess Bride brings out the Cinematic mood just as well. But the book is better.

Morbid Heroic: Here’s where I would stash GRRM, personally, and for emphasis I laid him alongside Elric of Melnibone. I think Tad Williams’ Shadowmarch can also be classified here. The struggles going on in Game of Thrones et al will not bring the world down to darkness (most likely)- and with most characters showing a gleam of virtue already dead I’m not sure anyone would notice if they did. Heroes are saps. Even some of the bad guys are suckers, compared to some of the other bad guys. I count down from the top of my list of characters who are a) somewhat good and b) still alive, and here’s my top 3:

  1. The brave bastard (no really) who’s still alive because he lives at the polar ice-cap so none of his enemies can be sure where he is
  2. The girl who’s hoping to become an assassin
  3. the blonde guy who actually said no to boinking his sister for a change, and who might be getting a tad weary of being so evil all the time

Can you tell I don’t like Morbid fantasy much?

My choices for Sword and Sorcery are all nearly as old as I am and I cannot see into the darkness far enough to make out a Morbid choice. Perhaps you have some suggestions to fill in my star-chart?

Planetary Considerations (is this for real?)

Speaking of that, let me wrap up (this IS the short version) with a run-down of the various planets.

The SUN brings “light” of course, so the three planets closest to it are Cinematic and the furthest are Morbid. But that’s not strictly a distance thing.

Arranged to fit my own fantasy
Arranged to fit my own fantasy

Venus is where you should expect to find her, both the lowest and most light-hearted spot suited to the pursuit of, ahm, venality.

Neptune occupies the Cinematic Heroic spot because like many tales in that sub-genre, it’s turned on its side.

Pluto is Cinematic Epic because its very survival (as a planetary body) is at stake. Despite being so far away it is at least solid, and remarkably bright for its small size. So a nice combination of light and far-out.

Mars is the home of Sword and Sorcery and if Conan wasn’t so cool I’d have put Jon Carter there as a title in a heartbeat.

Earth is the home of heroes. Full stop. Keep looking, they’re there- and my Lands of Hope are the proof.

Epic Fantasy is the King (I know, the planet I used has rings, but it’s a great color). And Jupiter has many moons, lots of tremendous titles we all could name in its orbit.

Morbid S&S needs a planet where things are cold as hell but can move quickly and dangerously. Mercury, remember, doesn’t spin- the dark side temps drop to -350 F or lower. In a Morbid S&S your life could be over in fewer seconds than the days of Mercury’s orbit.

Uranus is appropriate for Morbid Heroic because it’s so large and full of gas. Deadly gas. Fortunately for me, it’s also far away. Did I mention Morbid is not my favorite?

And Saturn wishes it could be Jupiter again but will have to settle for second in size, still slow of speed, lots of material in its orbit too.

Sincere thanks for your patience, I’ve enjoyed the rant. Ar Aralte! (Hope Forever)

Whatever’s an e-Reader For?

I came into publishing at probably the most misleading time of the last hundred years. Yeah, that sounds like a good excuse.

When I started chronicling in 2008, I was following the pure desire to make something of these tales I had lands-of-hope1bound up inside me. I identified with not just paper pub, but the traditional route to it– getting an agent, breezing through one of the Big 5, the book tour, the fame, the groupies. Forty rejections later I woke up, admitted fantasy was the genre, not the life-path. But I kept chronicling, that’s the thing. If I thought about my future as anything I had control over, it was of course going to be in all media, analog and digital, video and audio. The movie, particularly, I really grooved on that.

By the time I started publishing it was summer of 2011. What we tentatively called Year 4 AK (After Kindle). Remember? People were going to convert completely to e-readers, just a matter of months. Print was DEAD, I tell you, everyone knew that. And I had tablet envy bad. I self-published my first four tales in digital format, and figured I was done. What loser would chase paper? Paper books were supposed to be the new Betamax (yeah, I know) or like 8-tracks, vinyl records. As in, you only saw them in movies. Black and white movies. I read all kinds of stuff on my PC, even on my tiny smartphone. As old as I am, I can say with honesty I’ve gotten used to screen reading, it’s pretty normal for me now. More on that below.print-is-dead

Wha’ Hoppen?

But the revolution I expected, that lack of e-reader I was still so jealous about? Didn’t really happen, did it. Hey, not the first time I’ve been a fool. I did what many of you did, only in my case it involved less time and talent. Flogged my platform, made announcements, kept chronicling, tried new things like a trailer, blog tour, writing about cool stuff. Hoping to catch fire somewhere. But still thinking entirely in digital.

You can probably see where this is going. My publisher gets me under contract (best piece of paper I’ve signed since my marriage license), and right away she starts talking crazy. How the next book, the big one, the once-trunk novel Judgement’s Tale should come out not only as novellas, but after the e-books, also in paper.

 

And I thought– paper? That dead organic stuff? It was this moment that I woke up (again) and really understood what others were shouting, that the Big 5 weren’t going to fold, and that paper books served a purpose for many people. Um, in fact, the vast majority. The rest is fast becoming history. People responded to JT in print quite viscerally, and my sales are starting to count with people I regard now the way an ERB hero would discovering a lost race. Paper book reader, I presume?

Circling Back to the Future (of Reading)

Definition of irony: I have a tablet now.

JT_at_BetBks_Jul_15
A store shelf. And my book. In the same place!

That e-reader I was always chasing is now in my grasp, every day, and I still do much more reading on it than in any paper form. But I realize it’s not the predestined winner in any near future on this planet. Most of my energy these days, outside of writing the next one, is focused on what’s going to happen to my tales in paper. My publisher is taking good care of that, and this opens up a world of possibilities at libraries, book fairs, maybe signings. Meeting real folks, shaking hands and giving out business cards, letting them thumb through the pages and hearing them ask the Dread Question (“So, what’s this one about?”). Because I have books in paper, no thanks to me.

What’s an e-reader for then? As an author, how to use it to improve your reach or your art?

I have several answers for you, things that have worked for me and which I recommend:

Come to it for the Cheap

Tablets and e-readers are becoming very affordable, and if you play your cards right you can basically steal one. I got my current tablet when we took Genna into the carrier store to get her a smartphone (at long last! she’s 18). We knew that college required her to stay in touch via email, Twitter, etc. so we put her together with an iPhone5. Genna mentions to the clerk the old household joke about how her Dad has tablet envy, and he says “you know, you can get a tablet for ninety-nine cents”. Yeah, it requires a data plan, but Genna and I share 1 Gb apiece and I lock the account so it just stops when we get close. Wi-Fi, we love you. And if you take a Kindle with a year of Amazon Prime, Jeff Bezos will personally fly to your house via drone and buff your toenails, or something pretty close.

Stay for the Stuff

There’s hardly any such thing as an e-reader anymore, everything is multifunctional, including Kindles and even Nooks (though admittedly, not as much). I gauge what to bring when leaving the house, based on how cool-tablet-cartoonmuch idle time I’ll have. Laptop for writing, tablet for reading: the former weighs a couple pounds and goes in a padded case (belongs to my employer), the latter fits in my jacket pocket and I forget I’m carrying it. So what? So check your email, catch up on blog posts and reading related to your work as an improving author. Think of the cyber-things you can’t do because you’re not at your desk; even research for your next book. I have a couple of games too, of course. Because games! No worries– I know my mind is continuing to integrate thoughts on the WiP in the background.

Round Up the Usual Advantages

Just because paper books refused to do the decent thing doesn’t mean you can’t benefit from having a library in your pocket. I have free online e-book copies of everything I’ve done for my “Classics You’ve Never Read” series. A few touches to reach any book, any chapter; I know reading it in a spine is more fun but what if you just want to find that place where Jonathan Harker said goodbye in his last letter to Mina? You seriously going to argue you can do that more easily? A book on tablet has choice of fonts, and you can alter the SIZE (oh boy, that’s key for a guy who forgot to bring his reading glasses) as well as the background light (eye damage? what idiot reads in bed with the setting on daytime brightness? Two taps). You can read seven other books and come right back to where you were (bookmarks), you can tap to define a word (online dictionary), you can Copy and make notes (easier on your PC, but it’s all the same to the Kindle app). You invested a boatload of hours getting used to reading on a PC. It’s like riding a bike, you just have to spend a little time to get used to it. And watch out for trees.

The Occasional Surprise

The tablet has also proved useful to me in one other, rather sneaky way. As I became accustomed to reading on screen, I also realized it was sometimes tough for me to proof, or scan my drafts for polishing purposes. I re-read my stuff repeatedly when I’m drafting, it’s like the bobsled guys rocking back and forth in the track before the next run. But between the time when I THINK it’s ready and when it actually is… I’ve realized I can “self-pre-publish”! Just take the draft in document form and send it to your screenname @ kindle.com, and it shows up in your library!

Honestly, you won’t believe how much more seriously you take your own works when they LOOK like “the real thing”. The Kindle has become so much second-nature to me that I find myself automatically treating the draft like published work. It gives me confidence in what I’ve done well, and exposes what still needs redress even more clearly. And the PC can stay at home until I actually-factually decide to rewrite it.

Print is Dead-Egon

 

So long live paper. And get a tablet anyway.