Category Archives: Wild Card Wednesday

Why Write? Because Your Life is… EPIC!

Where “Why” Lives On

I think maybe we have kids so we can be reminded of that time we forgot, back when we were children- that phase where every answer was followed by another “why”? Our parents all gave up, just like I did, when it got somewhere around Bill Cosby’s immortal question “why is there air?”. But just this week, my daughter got on the phone with me- during a rare business trip- all in a lather about an ending she had just seen on the TV, one I knew very well and which doesn’t make sense. She’s sixteen now, the pace of “why” has settled down to where I almost miss it. I was rather busy, and this was too tough to answer on the phone. But I promised her I’d talk it through when I got back.

Before that happened, I finished the book I was reading on the train. And I answered a question for myself. WHY was I writing?

I Hate Not-Writing: Makes You Think Too Much!

Not that I’ve done much recently- things have been quite unsettled but I think the new normal is coming around. And I never stopped feeling the hunger, to get back to this particular story and face its intimidating and alluring heroine again. Once I got started, I never really needed motivation to write- I wasn’t asking why in that sense. But I had honestly lost my compass a bit- this priestess, she’ll throw you for a loop too! And I’m very thankful I decided to read the book I had with me. There are no accidents…

It’s called “Epic” by John Eldredge and I would recommend it to anyone who wants to write, especially any kind of fiction. Fair warning- the author is a religious man and his thesis is rather startling. I’d be sorry if that drove you off by itself- the book is very accessible, and it flies right by even for a moderate-pace reader like myself. But I’ll give you a couple of points from it by way of explanation.

John wasn’t asking why we write, but why we read, or watch, or listen to tales ourselves. His answer was alarmingly simple.

 

We go after these tales because at their heart ALL good stories are showing us elements of OUR story.

 

And our story, of course, is a part of THE story: this is where he gets more spiritual, but as a Catholic that doesn’t bother me a bit.

We feel the thrill of the heroism, the struggle, the romance in tales- and we recognize, deep down, that somewhere something has gone seriously wrong in the tale we’re living through. Who can fail to notice how much suffering, frustration, and yeah, betrayal exists? For us and for the world, I mean. We work for the happy ending- yeah, the happily-ever-after ending, any good person does that. We often don’t feel like it, but our lives are epic! That’s a meaningful word, of course to me- in epic fantasy the likes of which I’m trying to chronicle, things come around, the story means something, lots is at stake and needs to be saved.

So There IS a Reason

It thrilled me and brought me back to really focus on my current tale. THAT’s why I’m writing- because it helps me to chronicle the specific aspects of my world, the characters I’ve come to know, gives me clues about how to bring my own epic life to a happy conclusion.

And we all do this for each other. Probably Eldredge’s best quote is the way we likely feel, at least sometimes, about the story we are starring in:

For most of us, life feels like a movie we’ve arrived at forty-five minutes late. Something important seems to be going on… maybe.

But we’re lost, or behind the plot so often, and here’s the key of all human existence. (Pretty cool claim, huh? When you write epic fantasy you get to go after stuff like this) We cannot find our place in our story- in THE story- by ourselves. So we turn to each other and ask “what’s happened?” We watch romantic TV series, we can’t get enough super-hero movies, we check out the horror titles in the bookstore; and we listen to that crazy uncle who’s never told the truth in his life but man, can he spin a yarn after dinner.

I need an answer; so I read and I listen, and most of all these past five years, I write. And I think it’s a big part of why you read or write too- I can’t wait to see your next part, because when I enjoy it, you’re helping me to get “there” in my own epic tale.

Do It For Yourself–And For Humanity!

Don’t think so? Hey, free country- but I really recommend this book. It restored my spirits, and that has to be good for me. One more quote from Eldredge- I don’t think anyone can deny that we devour tales (and with fiction tales especially, that begs the question why), or that we have this haunted feeling of being lost. Where else in the alleged-real world can we find THIS kind of answer? Eldredge quoted a fellow named Neil Postman:

In the end, science does not provide the answers most of us require. Its story of our origin and our end is, to say the least, unsatisfactory. To the question, “How did it all begin?”, science answers, “Probably by an accident”. To the question, “How will it all end?”, science answers, “Probably by an accident”.  And to many people, the accidental life is not worth living.

Like I said, there are no accidents. It may not matter whether there is a guiding mind behind the cosmos of the alleged-real world. Maybe I’m mistaken, maybe Eldredge is. But that point about the scientific view is dead-on, to tempt the pun. And to not wander around feeling lost on the plot, to live a life with some purpose, is surely better. I’ve remembered that recently- and I will certainly begin to write again soon.

After all- my life is EPIC.

How about you?

P.S.: What ending did Genna want to know “why” about? The ending of Monty Python and the Holy Grail which her mother and I had finally allowed her to see. We talked about parody and satire, and I said things a bit like I have here. Maybe straight-out medieval virtues don’t exactly “fit” in our story today- Arthur and his knights would probably have to go to jail. But if that’s true, why did we laugh so hard? What was so TRUE about courage, and faith, and even chastity that we can chuckle when it’s made fun of? And more importantly, what ending are we replacing the quest for the Grail with? That might be more analysis than the troupe figured it could stand- the Muppet-master Jim Henson once said of his comedy sketches “When you’re stuck for an ending, you can always blow something up, or if that doesn’t work, throw penguins in the air”. Sometimes the ending is senseless, but it doesn’t make the story worthless- it just means it isn’t truly over yet. If you’re still alive, you know what that feels like.

Audiobook Adventures Ch 4: Prep to Post!

Or did you think finding your own voice was just a metaphor?

We’re deep into this mad adventure now and I hope you’re enjoying it half as much as I am. As of this writing, my first book is “fully distributed” by Findaways and the second is awaiting approval. Having tripped over my own shoelaces with The Ring and the Flag I do feel my chances with Fencing Reputation are pretty good. But the time factor! Approval takes FOREVER, and that’s something I have to consider more carefully in future. Maybe just like with e-books and paper, having a stockpile before you release would be advisable. But for now, I soldier on with the first quarter or so of Book 3 Perilous Embraces, and it is proving to have its own challenges.

This installment assumes you have reached your second “done” line. The first came when you finished recording every word of narration. The second phase was going through that, cutting out bad spots, choosing the best takes, and even adding sound FX.

So now you have a smooth, complete chapter. No narration is missing, and all the added sounds, ambiance, environment and other things you wanted to hear in there, are there now. Great.

Get ready to produce this sucker.

Prepping the Track for Publication

I’m speaking in all this to the use of the recording utility Audacity specifically for the Findaways distribution service. To briefly recap– you can upload files to Findaways once and if they pass inspection, they will handle distribution to nearly 30 different audio-book outlets for you. Set a price once, and Findaways will handle the splits (including their own of course) sending you the rest.

But the files have to be ready-ready, I mean really ready. Here’s how.

Normalize and Compressor

These are two standard effects you find in the Audacity Effect menu, and you need to apply them both and in that order. I am no engineer but I can tell you that the impact of using these on your track will be to boost the sound level up generally (but guard against over-amping the level so that it doesn’t make a screech) and to some extent it smooths over the background white noise that’s there.

Click on Effect-Normalize, and take a look at this menu:

Make sure the top two boxes are checked (which helps keep the sound in a decent level) and set the dB box to -3.0. You don’t have to highlight any part of your file, it will automatically apply it to the entire thing (and this could take a half-minute or so). Done. You should see that the narration line has ballooned up to fill the width of the track– this is normal, and it may sound a bit louder overall as well (but like I said, it won’t be too loud). If you have places where your character shouted or screamed, you might click to those quickly and see if they still work OK for you.

Compression is just about the same routine. Click Effect-Compressor and gander at this enormous vista (DON’T PANIC!):

There are probably eighteen cool things you could do to make the sound a tweak better on this screen. Play with it by all means. But I recommend you make sure the top slider, Threshold, is set to read -23 dBSet the Noise Floor slider to -60 dB. The first box at the bottom was checked and I left it that way. But if your compression is not set to a range between -23 and -60 then your files will be rejected by Audible, the toughest of the online distributors as far as I can tell (and it takes them weeks to figure this out over at Findaways). So. Do this.

Once again it applies to the entire chapter and takes a half-minute or so to complete. The wavy lines get even fatter, most of the time, looking like they will burst out of their tracks soon. Which in a way is absolutely true– and the world has never heard anything like this! Indulge yourself in a hearty laugh of victory at this point.

Then save the file, you fool.

Now one last step.

Listen to It Again

I know I already told you to do that before, several times. This is THE last time you have to do it (the rest are all optional, if you’re like me and can’t stand not to check again and again). But do yourself this favor, especially if you have added FX: I’m not 100% sure why but on a fairly frequent basis the sound levels get off-kilter when you Normalize and Compress. Here’s what I do:

Go to the start of the file and click on the space BETWEEN the tracks, just like the rows and columns in Excel or in a Word document table. You can click and drag each track UP so that it’s a quarter of its original size. Don’t worry, the sounds aren’t getting hurt. This way, you drag up all the tracks and you can SEE THEM ALL AT ONCE. Pretty bright, you get me? Now click Ctrl + 3 to Zoom out and voila! You have a wide view of your entire file, maybe a half-hour at a time. Click right to where your FX are coming in on the lower tracks and listen to a few seconds each time. Sometimes the FX you download and use are in stereo, or have a more professional quality to them– those tend to “bounce up” in volume and become too loud, even after you used Amplify earlier to shush them. Now you just have to shush them again, that’s all. Depending how many FX you have, it might be you don’t have to change anything, but it shouldn’t take more than a few minutes.

Got it? All Normalized, Compressed and re-Leveled? Deep breath. And hit Save again.

Time to make the finished file.

Creating the MP3

Man, this is it! The final step to create a finished chapter that’s suitable for upload to Findaways, and from there all over the listening universe. Feeling proud? You should be!

From the Audacity menu with your finished file open, click File-Export. A menu pops up that looks a lot like a Save-As menu in MS Word. You will do several things on this page and they’re all important. The LAST thing you will do is click on the “Save” button over to the right. The last.

First- click into the File Name menu and give your raw file a clear name. How about “Title-of-My-Book_year-Ch1”? Anything like that should do, just remember in some distributors the file name could be visible. Also if you send out copies as ARC for review.

Second, click in “Save as Type” below that to choose “MP3 files”. Because Duh.

STILL NOT CLICKING SAVE. Click on the bottom right button “Options”:

Try Bit Rate Mode: Constant, and be sure to drop-down the Quality menu to select 192 kbps. The default setting is 144 and that is not good enough for Audible, it will result in rejection. Select Channel Mode: Stereo, and then click OK.

Congrats. You saved yourself 3-5 weeks again!

Back at the main Export menu, you may NOW click Save. This takes you to the Edit Metadata menu where I advise you to fill in some of the rows for yourself, or at least blank out what’s there.

Edit Metadata gives you plenty of fields to enter info:

Artist Name: Yours, the Author/Narrator (Will Hahn, in my case)

Track Title: Title of the Book (“Perilous Embraces”)

Album Title: Here’s where I put the series name and book number (“Shards of Light, Book 3”)

Track Number: I use the chapter number here (1, 2, 3 etc.)

Year: This one!

Genre: Click into the box and see a drop-down menu, mostly different music types. You could choose “Podcast”, but I just typed in “Fantasy A-Book”

Comments: I wish I had thought of it earlier, but this would be a good spot to credit places like Findaways (in general)  or other help you had making this file. Or you could put in the dedication to your book.

Whatever you choose, look at this menu if only to remove some things that might have crept in there. If for example you grabbed a sound off Findaways that was recorded by a pro, they might have done this metadata thing and you’ll see that your entire chapter already has an artist and a name!

OK, so fill in this menu… hurry up, already, this is the big finish… and then click on OK, which might bring you one more message saying essentially “Hey, just so you know, we’re going to crunch down all these tracks into  a single track, just saying” and if you see it you can click OK to THAT. Because it is.

And finally, the utility goes to work and it takes maybe a minute to complete its job.

The fill-bar disappears and your file looks completely unchanged. Because it is. But back in the Audacity folder there is now a MP3 file with the the title you gave it.

Congratulations.

Next and last installment, I’ll show you how to post all your project files to Findaways and hopefully avoid some of the face-flops I encountered.

I used to say you can do this. Now you already have.