This is my site for information about the fantasy world known as the Lands of Hope. I have the usual bio and buy pages, also Maps and a free Compendium of lore, plus a cool notification feature if you want to see posts in your email box. Sign up for that and you get two quick Tales for free. Because no one should have to wait for a little Hope. Continue reading →
Thou art wise to consider such a synthesis, Solemn. There are worlds aplenty, but only a single nature.
-Final Judgement, The Eye of Kog
It struck me while driving, like many worthy thoughts do. And that meant of course that I was doomed to forget and recall it many times, each round trip getting closer to permanent remembrance. How do we commemorate those we know, who we admire and want to emulate? There are many kinds of memorial, of course, but the first I think of are those carved in stone, in a field of many others, each with a few brief
words burdened to somehow say it all. And it’s not always stone– sometimes you see “In Memory Of” on a dark wooden pew or fading in and out with the credits of a movie. But it’s almost always brief, here in the Alleged Real World: even when the medium is intended to last forever, the words take just a flicker of time, as if they were only a spark to kindle on the fuel of our recollection.
The Lands of Hope have none of these, not really. Some few, the heroes, are echoed in living devotion bordering on worship. For the rest, either someone remembers you or they don’t.
There is a narrow category of exception, though; the Children of Hope DO indeed memorialize at times, in very much the way we do. There are plaques commemorating the Battle of Tor Perite, and the discovery of Liftos Gas, the liberation of the Giant-siege of Stathos, the first bridge across the River Sweeping. You see the pattern? Events, great deeds of Hope are usually severed from
the persons who performed them. The Pious Warrior Yula won that battle and is duly mentioned in the inscription– hardly surprising, since he became Emperor of Argens as a result. The names of Able Patent and such are included on those others as well, toward the end. But not always, and never prominently. Succeeding generations of Hope are taught to attend to the act, not the actor.
But there’s another, tougher difference that needs mention here. One reason the Children of Hope do not dwell on the lives of those they erect plaques to celebrate is because in nearly every case, those lives are not yet over.
Hope does not memorialize the dead. At all.
To be honest, they don’t even much like thinking about death, because the Children of Hope haven’t had any guidance on what happens to them after they die. This is one of the chief reasons folks reject the Man in Grey: Solemn Judgement was not born in the Lands and since his father spent his last breath getting him there, Judgement is driven to find out whether death has a “sequel”.
Of course many of us share this need, and there is nothing at all wrong with marking the end of an earthly life. The Alleged Real World has an advantage in this, because many of us believe in a life after death. And also, we have a place, a natural spot set aside to create the memorial.
But in the Lands of Hope, loved ones are cremated, the ashes scattered. Only the Children of Despair put the bodies into the earth; the word kemetaria conjures horror, and the prospect of necromancy. When Feldspar explores Old Cryss in Fencing Reputation, he comes across a rare example of a surviving graveyard:
To my left in the nook of the next corner was a small area ringed with a low, two-foot fence of metal spikes; I caught only a glimpse of the irregular rows of stone markers within and turned my head away with a snap. I had heard the stories, but hoped like most children that this one wasn’t true. No such luck- they had really done it, those grand fools of long ago. So proud, so eager to show their spirit even in death, they had built a kemetaria, and allowed their bones to be put under the earth- an added challenge for their souls, to rise despite the odds and still attain heaven. Confident and sure, they had put their flesh into the ground, like the children of Despair. No wonder death had rained down on this place.
There may be other graveyards built by Hope, but very few (it was the passing fad of an Elvish nobility influenced in ways beyond their understanding by Despair). The colossal ancient kemetaria discovered by Solemn Judgement in The Eye of Kog was immediately destroyed by virtue of the miraculous lore he unearthed (quite literally) during his adventure there.
Point being, if you have no place to put the body, you tend to emphasize deeds during life instead of trying to summarize it at the end.
In the Lands, there are songs sung and stories told of great deeds, naturally; but not all of them are old or concerning folks who only lived long ago. Trekelny in Three Minutes to Midnight seems confident that there will be songs sung about his stupendous act of Stealth, and looks forward to hearing them himself. And yet, almost no person in the Lands knows what an epitaph is.
Here in the ARW, we’ve come to memorialize outside the graveyard, especially in places where people are likely to pass and see. Roadside memorials always make my heart drop, because I instantly know I’m looking at an unhappy ending. It’s a little like the graveyards have burst, and now spread among the living. But from what I see, the messages sometimes get longer, and are often uplifting or even hopeful. For those that are sad, I understand. It’s not usual to know a loved one has suddenly died and think “ah yes, they lived long enough”. No, it’s always too soon.
One last thought comes to me, more triggering really but a difference that must be mentioned.
When the doer of a deed is alive to see the inscription, there’s a lot less monkeying around with their legacy.
But those long dead can have memorials erected that they did not aspire to, with messages twisted to suit a later generation. We are wrestling today with such a problem, trying to sift out the good from the bad like mixed grains of rice and wheat, and as a result some memorials will come down. If driven by justice, that will be good.
Better still, if we remember the virtue as well as the deed, as they do in the Lands. Let us tell the tale of each other’s glory, sing songs and keep the flame of those we admire alive. Surely what happened in life is of more value than the loss we feel on its passing.
The third book in the series “Shards of Light” is coming out July 4th, and I can honestly say there’s been no Tale of Hope like it. Pre-order now and free your mind next month!
The first two books start with different heroes at close to the same time. They each have a contained plot (with windows, perhaps, through which to view the other characters) and you could read them in either order. Captain Justin and the Stealthic Feldspar pursue separate quests, circling around the edge of a conspiracy that’s larger than either suspects. The endings clearly show there’s more adventure ahead (“there’s always more” – Salling’r the Bard), but they stand alone. Also, shorter.
But now the plot deepens. And in W’starrah Altieri you meet the woman who sees that conspiracy, catalyzes the entire city and brings these other heroes together. Eventually.
Before the blurb (in which I wrote something) let me show you the cover (about which words fail me).
W’starrah Altieri can see the future, ranks high in her church, and is without question the most beautiful woman in the North Mark. But the prophecy she knows to be true will either break her heart, destroy her home or end her life.
In 2002 ADR, the jewel of the southern empire is the city of Cryssigens, where life is an unending carnival of display, while intrigue brews beneath the surface. Nobles, guilds and House Cups scheme with and against each other, even in the best of times. But civil war stripped the city of its Overlord, and now factions emerge daring all in a bid to succeed to the throne.
One of the leading lights of Cryssigensian society is W’starrah Altieri, the Lavender Lady, high-ranking priestess of the sect of Argens Stargazer; while others see only her dazzling beauty her eyes are filled with foreknowledge of the future. She willingly risks life and reputation to save her city, but juggling visions, rivals, suitors and the occasional assassin pushes the real world further from her grasp. Who could expect that in the midst of this she would meet the promised love of her life, or foresee that he too is doomed?